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A field is the large area in the center of the rug containing
the main pattern and designs. The color on which the design is arranged is called the
field color. The field patterns can be broadly classified into seven categories:
- Medallion: They may appear in many different styles, sizes and number.
A central medallion may be superimposed on a field that is either left empty or filled
with a repeated motif or an overall pattern.
- Repeated Motif: A rug is said to have a repeated motif design when the
field is filled with multiple rows of the same motif. This type of design is often found
combined with the medallion design.
- Allover Pattern: The allover pattern has a field filled with a number
of motifs that are neither a repeated nor a regimented form. The pattern may contain
palmmettes and flowers along with a network of wines and tendrils as in the famous Shah
Abbas pattern. Alternatively a vase, tree, garden and other patterns may be also used.
- Open Field: Open field rugs contain a large expanse of a solid color in
the field surrounded by a series of borders. Open field design rugs are frequently
produces in Talish, Kazak, Tibet, Nepal and Sultanabad, etc.
- Panel: The field of a panel design rug contains compartmentalize design
divided into square, rectangular, onion dome, diamond shaped, lattice or trellis patterns.
Besides these, a variety of motifs like flowers, trees, buteh, stars, palmettes, etc. may
also be used.
- Portrait: Portrait rugs began to appear by the end of the 18th
century. In these, the field depicts landscapes, historic monuments or events, scenes from
daily life or folk-lore and even copies of famous European paintings.
- Prayer: Prayer rugs often have a prayer niche (mehrab) or arch at the
top of the field. Religious motifs like stars and urns may also appear. The designs may be
curvilinear or rectilinear depending upon where the rug was woven.
Some popular motifs used in oriental rugs are booteh, herati, Zil-i-Sultan, Mina Khani,
Gul-i-Henna, Gul-i-Franc, Gul and Memling Gul.
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